Crisis of Representation, his next statement is a collection of 7 (+1 on CD) pieces. Years in the making, the record gathers tracks mostly recorded in 2015, but some of the tracks were recorded as early as 2011 ; but they are all about the same idea.

Titled as Crisis of Representation, the album is another step further into the direction his abstract techno fragments. Instead of repeating beats, Gábor Lázár maintains linearity by using only one type of characteristic sound and a few composition techniques throughout the whole album. (ANOST Distribution)

All tracks were composed with a monophonic additive synthesizer, triggered exclusively by a single-note using a single-track sequencer built in Max MSP. No percussive samples were used. The perception of rhythm is created through rapid filter envelopes modulated by an LFO and by re-triggering the synthesizer. (Gábor)